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Carlos Museum
United States
Приєднався 7 вер 2010
Since its formal establishment on Emory’s Atlanta campus in 1919, the Michael C. Carlos Museum has become one of the premier museums in the Southeast. The museum holds one of the most comprehensive collections in the region with artwork from ancient Egypt, Nubia, and the Near East; Greece and Rome; the Americas; Africa; and Asia as well as a collection of works on paper from the Renaissance to the present.
Through world-class permanent collections and special exhibitions, innovative programming, and one-of-a-kind opportunities to engage with art firsthand, the Carlos Museum serves Emory University and the Atlanta community as a dynamic interdisciplinary center that cultivates literacy in the arts and fosters understanding of diverse religions and civilizations.
Through world-class permanent collections and special exhibitions, innovative programming, and one-of-a-kind opportunities to engage with art firsthand, the Carlos Museum serves Emory University and the Atlanta community as a dynamic interdisciplinary center that cultivates literacy in the arts and fosters understanding of diverse religions and civilizations.
Curatorial Conversation: Nicholas Galanin
In this video, Carlos Curator Miranda Kyle speaks with Indigenous multimedia artist Nicholas Galanin (Tlingit and Unangax̂) about his thought-provoking work that bridges dialogues between Indigenous and non-Indigenous communities. Celebrating the installation of "I Think It Goes Like This (Gold)" in the Art of the Americas galleries through a two-year loan from the Art Bridges Foundation. This conversation sheds light on identity, change, and cultural dialogue.
The event was made possible in part by the Grace Welch Blanton Lecture Fund. Visit the link below to learn more about Nicholas Galanin's installation at the Carlos Museum.
carlos.emory.edu/exhibition/nicholas-galanin
The event was made possible in part by the Grace Welch Blanton Lecture Fund. Visit the link below to learn more about Nicholas Galanin's installation at the Carlos Museum.
carlos.emory.edu/exhibition/nicholas-galanin
Переглядів: 130
Відео
Final chance to see Recasting Antiquity: Whistler, Tanagra, and the Female Form
Переглядів 852 місяці тому
Visit the Michael C. Carlos Museum through May 19 to experience "Recasting Antiquity, Whistler, Tanagra, and the Female Form." The exhibition examines a series of prints by the American artist James McNeill Whistler alongside the ancient Greek terracotta figurines, known as Tanagras, that inspired them, asking what the nineteenth-century fascination with Tanagras reveals about changing attitude...
Scrutiny: The Italian Job
Переглядів 1022 місяці тому
Museums everywhere are facing increasing requests from foreign governments for the return of cultural patrimony. How do museums balance the responsibility of caring for a collection with their legal and ethical obligations? Using a group of objects recently repatriated to Italy, Provenance Researcher Annie Shanley and Curator of Greek and Roman Art Ruth Allen, recount one of these complex situa...
Rosa Genoni’s Tanagra Dress Reframed: A Story of Fashion, Performance, and Feminism
Переглядів 892 місяці тому
In 1908, Italian seamstress, political activist, and writer Rosa Genoni designed a dress inspired by the Tanagra statuettes. This dress became one of the most important re-interpretations and re-castings of women’s fashion in classical antiquity. The late nineteenth century discovery of the Greek statuettes, which she most likely was able to admire at the Louvre Museum sparked not only Genoni’s...
Venus’s Waist: Ancient Sculpture and Dress Reform
Переглядів 912 місяці тому
The anti-corseting dress reform movement in the U.S. emerged in the second half of the 19th century, in part as a response to anxiety about the deteriorating effects of modern life - and, particularly, modern fashion-on women's bodies. Encouraged by the conviction that health was legible on the body, the movement looked to the ancient Greeks as models of beauty and vitality. This supposed ancie...
Introduction: Classical Drapery and Dress Reform Colloquium
Переглядів 302 місяці тому
Carlos Curator of Greek and Roman Art Ruth Allen provided an introduction to the exhibition 'Recasting Antiquity: Whistler, Tanagra, and the Female Form,' which she curated with Linda Merrill, teaching professor and director of undergraduate studies in the Art History Department. The introduction was given at the Colloquium on Classical Drapery and Dress Reform, held in conjunction with the exh...
Scrutiny: Sending the Sphinx Home
Переглядів 1062 місяці тому
Scrutiny is a series that will foster conversation and critically examine issues faced by museums today. In this inaugural lecture, "Sending the Sphinx Home," Dr. Annie Shanley, provenance researcher at the Carlos Museum, will discuss the journey of a small ivory object back to Iraq and the goals and complexity surrounding the repatriation. Learn more about provenance research at the Carlos Mus...
Lecture: Navigating Power with Sara McClintock
Переглядів 2083 місяці тому
In conjunction with the publication of a new translation of Nāgārjuna's Ratnāvalī, or Precious Garland, Emory Associate Professor of Religion Sara McClintock presents a lecture connecting the themes to a second-century CE Gandharan statue in the Carlos' Christian Humann Foundation Gallery of Asian Art of the bodhisattva as Prince Gautama in the period just before he renounced the throne. The se...
Lecture: Whistler and the Misses Pettigrew
Переглядів 953 місяці тому
In an illustrated lecture, distinguished Whistler scholar Linda Merrill discusses the three Pettigrew sisters, professional London models who posed for so many leading Victorian painters that they became celebrities in their own right. The youngest, Rosie, was especially adored by James McNeill Whistler (1834-1903), an American expatriate, and his British artist-wife, Beatrix, who provided a ma...
Laszlo-Excalibur Lecture: The Tanagras, Greek Dress, and Femininity
Переглядів 1143 місяці тому
The discovery of the Tanagras in the late nineteenth century caused a sensation in Europe, especially in Paris. The small terracotta statuettes, depicting primarily women and children wearing colorful clothing and engaged in everyday activities, excited the imagination of the emerging bourgeoisie. In contrast to monumental marble statues depicting remote goddesses and heroines, the Tanagras wer...
Concert: The Emory Javanese Gamelan Ensemble
Переглядів 1283 місяці тому
The first gamelan instruments arrived at Emory University in 1997 from the city of Surakarta, Central Java, Indonesia. Since then, the ensemble has grown to over twenty members, and includes Emory students, faculty, and members of the Atlanta community. Directed by Darsono Hadiraharjo, the ensemble practices primarily traditional karawitan music from Central Java. On January 28, 2024, the ensem...
Creating a Tanagra Figurine
Переглядів 3013 місяці тому
In this video, ceramic artist Ana Vizurraga demonstrates the techniques used in antiquity to create Tanagra figurines. This video was created in conjunction with the exhibition, "Recasting Antiquity: Whistler, Tanagra, and the Female Form," on view at the Carlos Museum from February 3 through May 19, 2024. Ana Vizurraga is a distinguished ceramic artist and art educator based in Atlanta, Georgi...
The Art of Lithography
Переглядів 7783 місяці тому
In this video, printmakers Matthew Sugarman and Darya Fard demonstrate the lithography process. This video was created in conjunction with the exhibition, "Recasting Antiquity: Whistler, Tanagra, and the Female Form," on view at the Carlos Museum from February 3 through May 19, 2024. Learn more about the exhibition: carlos.emory.edu/exhibition/recasting-antiquity
Docta in conversation with Assistant Professor of African Studies, Bamba Ndiaye
Переглядів 943 місяці тому
Senegalese artist and social activist Docta was in conversation with Emory’s Assistant Professor of African Studies, Bamba Ndiaye. Docta is a pioneer of African graffiti. For more than 35 years, he has used the medium to create powerful visual messages that give voice to the oppressed by drawing attention to social inequities, political abuses, and local histories. This mural depicts Ndaté Yall...
Conserving the Thangka Paintings
Переглядів 975 місяців тому
In 2021, the Carlos Museum commissioned two thangka paintings from the Norbulingka Institute in Dharamsala, India, one of the bhavacakra, or the “wheel of becoming,” and the other, the samatha, or the “nine steps of the calming of the mind.” Unfortunately, the paintings were severely damaged in shipping from India to Atlanta. In this CuriosiTEA program, master Tibetan artist Buchang Nugbya and ...
Constructing an Image: A Conversation with Atlanta Latinx Photographers
Переглядів 918 місяців тому
Constructing an Image: A Conversation with Atlanta Latinx Photographers
AntiquiTEA: Why does Viṣṇu have Eighteen Arms?
Переглядів 1278 місяців тому
AntiquiTEA: Why does Viṣṇu have Eighteen Arms?
Centering Community in Museums, Libraries, and Archives
Переглядів 119Рік тому
Centering Community in Museums, Libraries, and Archives
Probing Provenance: The Senusret Collection
Переглядів 415Рік тому
Probing Provenance: The Senusret Collection
The European Discovery of the Ancient Egyptian Afterlife
Переглядів 451Рік тому
The European Discovery of the Ancient Egyptian Afterlife
At the Edge of America: The Stunning Art and Life of T. C. Cannon
Переглядів 515Рік тому
At the Edge of America: The Stunning Art and Life of T. C. Cannon
Life and the Afterlife: Funerary Relief of a Woman
Переглядів 124Рік тому
Life and the Afterlife: Funerary Relief of a Woman
Life and the Afterlife: Model Solar Boat
Переглядів 230Рік тому
Life and the Afterlife: Model Solar Boat
Life and the Afterlife: Coffin Board of a Woman
Переглядів 137Рік тому
Life and the Afterlife: Coffin Board of a Woman
Life and the Afterlife: Cult Stela of Ahmose
Переглядів 482Рік тому
Life and the Afterlife: Cult Stela of Ahmose
Life and the Afterlife: Sarcophagus Fragment of Nefertiti
Переглядів 367Рік тому
Life and the Afterlife: Sarcophagus Fragment of Nefertiti
Andy Rotman on The Vow that Began the Buddha’s Path to Awakening
Переглядів 71Рік тому
Andy Rotman on The Vow that Began the Buddha’s Path to Awakening
Can you send the pdf lecture to me
u have a beautiful mind ......coming from wife kelly...
I think... ...the key to the real Moses it through Seti... Seti I more than Seti II. I reckon this is the figure of Joseph- who became the governor of Arabia, and Moses married his daughter.
Bob Brier lectures are always very interesting.
Great video . Beautiful intaglio , retired jeweler , Canada
Thank you for the amazing information it’s so interesting bless you.would love to be given more info
Oh my god ! You are big artist! Beautiful work…
I’ve watched your video several times and learn each time. Thanks so much. Loved the roosters too!
Que grande eres
What would you say the various grades of naxos stone powder you use in the demonstration would correspond to in terms of grits of emery powder? I've a mind to try this for myself, but I'm not sure what coarse/medium/fine would mean when buying the grit.
Does that mean that Smenkare is the father of King Tut? He did say he could be the Uncle.
I wonder where the mummies of these little princesses ended up.
Good Information 👌
I saw a 3 part TV programme on UK BBC4 about the Silk Road. I can't remember the presenter but I seem to remember him saying that the intricate geometric patterns were to honour Mohammed as it was against their belief/religion to represent him as an idol or human image.
Невероятен си Чавдаре. Определено мисля, че древните хора са били много по находчиви и много по изобретателни от нас наследниците. Поздрави от Мадрид.
Sir namaste i.m Indian farm Jaipur i.m carving master marker all saton Colette feting all Taipei pliz help mi thank
8:45 is a modern diamond bit. Astonishing none the less.
😳🫢😏
Wow! Fascinating work, Ana. Well done!
nice
love this!! amazing process and very nice narration🩷
Thoth or thought is the husband and scribe of Ma'at. She is pictured in our day as Justice. Ma or Mom is the arbiter of the conditions of our entrance and exits. Moses was exiled for violating the laws of Ma'at. He and his apostates could remember but 10 of the 42 laws of Ma'at. Modern forensics indicate most Egyptians were vegetarian. They lived on the Nile and did not bother the fish. Moses and his apostates on the other hand practiced animal sacrifice. Spirituality degenerates from animism to pantheism to Christianity to material science, which is abject atheism. Priests abandon asceticism out of pecuniary concerns. Selling to the masses their heavenly indulgences.
I just returned from Egypt and visiting the Egyptian Museum there with a local egyptologist. We saw a sarcohagus there that had been reconstructed. she stated it had been in a garden and just recently it was determined to belong to Nefertiti. The photo I have matches one of her cartouches from Johnson Petty Kings names books.
It was an eclipse they didn't know what they saw
Incredible video. Thank you!
Absolutely amazing, thank you .
I loved the energy of this interview and the gentleness of Melody Moezzi's Father. Thank you.
....why no discussion of the enslavement of non-muslim people? Why no discussion of the treatment of women?
THANK YOU FOR THIS! In thos world of mass production, the presenter gives us a reminder of human creativity . I think its wonderful.
so they we’re black?
Thank you for your video. Regarding 5:45, the granulation fusing liquid can be made by adding a copper salt such as copper sulfate or copper carbonate or copper acetate or copper chloride into a plant derived glue such as gum tragacanth, methyl cellulose, or a commercially available product known as "Klyr-Fire". The fusing liquid is used to initially adhere granulation balls or small metal pieces to a metal backing substrate surface. Then from the applied heat of a torch flame, the metal pieces become fused to the substrate. No added solder is required.
It can be coconut or areca palm tree, which is very common in that region. Malabar people are obsessed with them.
What is the blue stone at 1:01?
This guy is terrible, he should be the scientist and expert on ancient Egypt. He gave only a few new information, but there is so many unanswared questions..he tells children stories. He belives they couldnt lift the obelisk from the quarry? What about Baalbek there are 4 blocks in ths quarry and a platform buil already. Its obvious they could do it. Why they dont eycavate Baalbek? This expert is really anoying. Bla bla. Also the pyramid situation witb JeaN pieree Hudin, he had to tell Brier everithing, he doesnt have a clue. Diletant bastards.
I’ve just ordered a custom intaglio from him and I can’t wait to receive it
Chushev is a true Master
Crazy impressive
real master - thanks for sharing
I have a rare collection of quartz engravings from Canada..great work subscribed ua-cam.com/users/shortsbyz8JffSH_g?si=0yevU_q4UGrv2vyT
Thank you! There is so much we may never know. I would like a modern pathologist’s opinion on Younger Lady. She has the face of someone who died peacefully. I just can’t see someone looking like that with the injury happening at time of death. After death and before mummification, yes.
The fact that the TA 2 ink sketch of Semenkhare and her wife Meritamen was not cut yet in Relief should make it clear that the drawing should be dated around the last year of the royal family living in Akhenaten. The Durbar scene was carved in year 12, and due to the pestilence, nothing was done for a few years.
Aidon Dodson is a good administrator, but he's always 20 years late of seeing the obvious.
Thank you very much for this fantastic video , very nice art .
🎉
Thank you so much for sharing. ❤
The very first dremel was born, amazing process!!👍😎👻🌶️
🤯🤯🤯
Sounds like the French 😅
😂😂😂😂🤣🤣🤣🤣🤣🤣
Amazing technique and control--I've never seen that method before. Very cool and superb work!